Creating a set of pieces for solo cello in collaboration with composers.
Researcher: Amy Jolly
Year research degree commenced: 2018
Supervisor: David Gorton
Abstract
This project came about after experiencing frustration in the professional classical music industry generally, and in the cello sections of orchestras specifically, about a perceived tension between conventional learned cello technique and the technical expectations of some contemporary music. I have made a start at bridging the gap in knowledge between cellists and composers that creates the tension. I have collaborated with composers over the last few years to create nine new works for solo cello which are all recorded and available to view at the links below. My commentary and set of recordings are intended for composers: they offer a set of practical models for approaching composing for the cello. The information within the commentary aims to provide an insight into what a cellist might think when they see a new piece on the stand in front of them: how they might go about learning it and what difficulties they may encounter. The resulting pieces are for cellists, in the comforting knowledge that they have all been tested and passed as approachable by someone who defines themself as a mainstream freelance cellist. It might even encourage some cellists to commission their own pieces.
Acknowledgements
This project has been funded by the Richard Stapley Foundation, the Royal Academy of Music and a private donor.
Main image by Dan Wiebe.